Back when Jason Mraz’s song The Remedy hit the airwaves about five years ago, it was during a time when I was in quite a funk. I had just embarked on going back to school and I had a very unsettled feeling in me. Being in my early twenties, I didn’t know where I was heading yet I was anxious to start living.
The song came on as I walked home listening to the radio on my headphones. I remember it clearly; it had just rained and the weather was cool. Simply said, the song put a bounce in my step. While I liked it at first listen, I dismissed it as, you know, bubble gum pop with a bit of rap in it. But I loved the voice, it was clear, light and had a friendly lilt to it.
I didn’t take much notice to it, except that, yet again he had come up with another great number You and I Both, which I loved for its rhyming lines – something that music today does little of. Even rap, which seriously should be much about rhyming but often the case is not.
Fast forward to a couple of years when I heard the news that he was hitting the local stage. A friend and I contemplated whether to go to his gig, and we finally decided – in time before the tickets sold out. And we were sold. There was something magical that night, with his easy banter and crystal clear vocals. This guy is made for greatness, I thought. Interestingly, what is played on radio lacks the quality he exudes live. Having paid good money for several gigs, I have pretty much sky-high expectations and he put a whole new meaning to live performances. It was just him, Toca, their instruments and a whole lot of good acoustics.
So, needless to say, I, you know, got my fingertips clicking on getting hold of his music. And his voice, melancholic and melodic, was what carried me through a transitional period when I thought through many things in my life. At that time, much has got topsy-turvy and I was scrambling to put pieces together.
He is merely music to me still then. I did not follow his career though he was on my regular playlist. Not until I went to the music festival for his performance which again is golden. I got hold of songs from his latest album We Sing. We Dance. We Steal Things. For the first time, I visited his website, and I visited it again and again.
I wasn’t sure why but I think I know why now. I think Mraz represents the greatness that lies in the ordinary. He has a remarkable story behind his career, he looks like your average boy next door, yet this is someone who puts out brilliant music but is grounded- plus is not afraid to be a goofball. He seems, really, like someone you want to be friends with and talk about your weirdest ideas and philosophies. And he blogs(!) the weirdest and most thoughtful stuff.
Life has been treating me kinder these days. And judging by the mood of his latest album, his is too, which is why Iistening to his music is a joy now. His older songs are beautiful, but I felt they no longer reflect the spirit of the times for me now. With his latest, I’m thinking a lot more about where I am, and where I would like to be. How I would want to Make It Mine and Live High.
I’m thinking how I can live such that time is my own, yet I’m comfortable financially, where I’m free to pursue my interests. This is hard to do when you work the nine-to-five, or in my case, the ten-to-seven. This, I suspect, will be the niggle in my mind for some time.